An analysis of the theoretical ideals of Thtre des Champs-lyses Essay

An analysis of the theoretical ideals of Thtre des Champs-lyses - Essay Example That said, the Theatre des Champs-Elysees itself also showed other elements, including avant-garde and art deco. This was because it was built in 1913 in Paris, and, during this time, art was experiencing a kind of cultural renaissance. The artists during this time were blending African influences with the newest movements, which include futurism, a movement which disdained the past in full. Therefore, the building was in keeping of the spirit of the times, while blending the classicism and lines of the past. This report will detail Perret and his influences, along with a brief discussion of the artistic environment surrounding the building of the Theatre des Champs-Elysees, with a description of the key architectural elements of this structure. Influence and Theory of Perret Auguste Perret (1874-1954), was a French architect whose architecture was founded upon using reinforced concrete frame construction. As Frampton (1995) notes, Perret was influenced by the Romans, who used reinfo rced concrete in their construction of their vaults, including the Roman Pantheon. These structures gained their strength through their monolithic shells, as opposed to the â€Å"thrust and counterthrust of arch and buttress† (p. 121). ... 123). His frames were based upon classicized rationalism, which combined the classical with the rational. Perret had another influence around the time that he created the Theatre des Champs Elysees, and that was Paul Valery. Valery, according to Frampton (1995), stated that the importance of architecture is the durability of the framework, which means that the building will stand up through time. It is through the passage of time that the building will attain its character, which was the thinking of Valery, who noted that the buildings are currently furnished with elements and forms, but its harmonious style and character would come with time. This is what makes a building beautiful, according to Valery, as time gives it character, style and harmony. Moreover, buildings which have stood through time would give the culture memory of form, which complements the structure of the building of steeples and towers (Frampton, 1995). Frampton (1995) explains that Perret met Valery around 1909 , which was just three years before Perret realized the Theatre des Champs-Elysees. Valery was fond of the theatre, and he was on personal terms with luminaries such as Maurice Denis and Antoine Bourdelle, who are the artists who supplied the decor and sculptural relief for the theatre. Valery’s theory was that bearing constructions must be separated from reticulated construction, which also must be separated from consolidated construction cast in reinforced concrete. However, Perret’s theory for the Theatre des Champs-Elysees was that the tectonic potential of the concrete frame must be realized, which means that it was removed from Valery’s ideas of the tectonic which was based upon Greek culture. Other influences for Perret, according to