Free Essays on Fire And Ice By Frost

â€Å"Fire and Ice† In Robert Frost’s poem â€Å"Fire and Ice† the main theme is the final destruction of the earth. Many people speculate how the world will come to an end. Frost compares the destructive forces of fire and ice and gives the reader insight into Frost’s own experiences and thoughts of entire destruction. At the very beginning of the poem, Frost literally offers two possibilities for the end of the world. â€Å"Some say the world will end in fire, / Some say in ice.† (l. 1-2). People have wondered for years as to how the world will be destroyed. Most believe the Bible that the world will end in fire. Others favor the view of another Ice Age caused from a meteor hitting earth. Beyond the literal reference, Frost also leads the reader to observe the downfall of mankind. In the next two lines Frost tells the reader what he has experienced. He concurs with â€Å"those who favor fire† (l. 4). Frost relates the detrimental fire to desire. He believes that desire will ultimately bring about the end. This relation suggests that desire, or lust, greed and want, when used negatively bring about one’s downfall and could certainly bring about the downfall of an entire planet. Frost next contrasts the relation of fire and desire with that of ice and hatred. â€Å"But if it had to perish twice, I think I know enough of hate To say that for destruction ice Is also great And would suffice.† (l. 5-9). Frost is saying that if the world must be destroyed a second time that he would want it to end with damaging ice to show what hate would be like. Frost relates ice to the hatred throughout the world. He has seen enough hate to consummate world wide death. Ice surrounds objects and causes them to crack or break from the pressure; much like hatred does to an individual. Hate gets into one’s very soul and forces out all the good, eventually eating away the core of one’s being. Therefore... Free Essays on Fire And Ice By Frost Free Essays on Fire And Ice By Frost â€Å"Fire and Ice† In Robert Frost’s poem â€Å"Fire and Ice† the main theme is the final destruction of the earth. Many people speculate how the world will come to an end. Frost compares the destructive forces of fire and ice and gives the reader insight into Frost’s own experiences and thoughts of entire destruction. At the very beginning of the poem, Frost literally offers two possibilities for the end of the world. â€Å"Some say the world will end in fire, / Some say in ice.† (l. 1-2). People have wondered for years as to how the world will be destroyed. Most believe the Bible that the world will end in fire. Others favor the view of another Ice Age caused from a meteor hitting earth. Beyond the literal reference, Frost also leads the reader to observe the downfall of mankind. In the next two lines Frost tells the reader what he has experienced. He concurs with â€Å"those who favor fire† (l. 4). Frost relates the detrimental fire to desire. He believes that desire will ultimately bring about the end. This relation suggests that desire, or lust, greed and want, when used negatively bring about one’s downfall and could certainly bring about the downfall of an entire planet. Frost next contrasts the relation of fire and desire with that of ice and hatred. â€Å"But if it had to perish twice, I think I know enough of hate To say that for destruction ice Is also great And would suffice.† (l. 5-9). Frost is saying that if the world must be destroyed a second time that he would want it to end with damaging ice to show what hate would be like. Frost relates ice to the hatred throughout the world. He has seen enough hate to consummate world wide death. Ice surrounds objects and causes them to crack or break from the pressure; much like hatred does to an individual. Hate gets into one’s very soul and forces out all the good, eventually eating away the core of one’s being. Therefore...

French Introductions, or Les Présentations

French Introductions, or Les Prà ©sentations When you meet French speakers, you need to know how to introduce yourself and what to say when you are introduced.  French can be a bit tricky when introducing yourself or others depending on whether you know the person to whom you are making the introduction(s) or even if you have had any contact with the person. In French, those circumstances all require different introductions. Basic Introductions French uses the verb  se prà ©senter, not  introduire,  meaning to introduce something into something else, which translates into English as to insert. The most basic introduction in French, then, would be: Je me prà ©sente. Let me introduce myself. Using s’appeler is the common way of introducing yourself in French. Don’t think of it as â€Å"to name oneself† because it will only confuse you. Think of it in the context of introducing your name to someone, and link the French words to that context instead of applying a literal translation, as in: Je m​appelle...   My name is... Use je suis with people who already know your name, such as those  you have already talked to on the phone or by mail but never met in person, as in: Je suis...   I am... If you dont know the person or have never spoken to him on the phone or contacted him by email or  mail, use  je m’appelle,  as noted previously. Introducing by Name There are also distinctions between formal and informal introductions, as well as singular versus plural introductions, as noted in the tables in this and the subsequent section. French Introduction English Translation Mon prà ©nom est My (first) name is Je vous prà ©sente (formal and/or plural) I’d like to introduce Je te prà ©sente (informal) I'd like to introduce Voici This is, Here is Il s'appelle His name is Elle s'appelle Her name is Meeting People In French, when you are meeting people, you have to be careful about using the correct gender, as well as whether the introduction is formal or informal, as in these examples. French Introduction Enlish Translation Comment vous appelez-vous? (formal and/or plural) What is your name? Comment t'appelles-tu? (informal) What is your name? Enchantà ©. (masculine) It's nice to meet you. Enchantà ©e. (feminine) It's nice to meet you. French Names Nicknames - or  un surnom in French - are much less common in this Romance language than in American English, but they are not unheard of. Often, a longer first name will be shortened, such as  Caro  for Caroline or  Flo  for Florence.   French Name English Translation Le prà ©nom first name, given name Le nom last name, family name, surname Le surnom nickname Cheek Kissing and Other Greetings Cheek kissing  is certainly an accepted form of greeting in France, but there are strict  (unwritten) social rules to follow. Cheek kissing is generally OK, for example, but not hugging. So, its important to learn not only the words that go with cheek kissing - such as  bonjour  (hello) - but also the social norms that are expected when greeting someone in this manner. There are also other ways to say  hello  and ask  How are you?  in French.

Business Ethics Essay Example | Topics and Well Written Essays - 750 words - 15

Business Ethics - Essay Example The leadership style of Robert Nardelli is described as autocratic and directive. He was a task oriented and directive leader who employed severe strictness and inflexibility in Home Depot during his tenure as the CEO in the organization. The leadership style of Nardelli was characterized by centralized control without considering the behavior and acceptance of the employees and the customers. The incorporation of extensive technologies and new organizational procedures harmed Home Depot bringing down its stock prices in the long term and negatively affecting the shareholders. Though the immediate effects of his leadership were not erosive but after few years the growth of the company slowed down to a great extent due to the increased dissatisfaction of the employees as well as the customers of Home Depot (Baack, 2012). The management style of Nardelli was criticized to be inflexible and callous. But the leadership style of Nardelli was much influenced by his tenure at GE as a result of which he focused more on technology and goal driven business plans. But this kind of leadership was not suitable in the retail industry as the leadership style required in Home Depot needed to be more people oriented creating better employee and customer satisfaction. The reputation of home Depot suffered and the share prices feel whereas the competitor companies succeeded through the creation of better customer experience and satisfaction levels. Home Depot needed a constructive and participative leadership style as opposed to the autocratic leadership style of Nardelli. Due to the directive leadership style of Nardelli, the financial metrics of the company improved initially but the metrics of customer service and employee satisfaction declined. Home Depot need a situational leadership from the CEO but Nardelli was not able to respond to the requirements of the changing situation related to the

Concept Essay Example | Topics and Well Written Essays - 750 words

Concept - Essay Example Reference will be taken from various books that speak of Stoic ethical principles, while also exploring the modern application of such teachings. Unbridled and uncontrollable emotions, especially negative ones, left unchecked are never a good and pleasant thing to deal with. However, that seems to be how many people are these days; and one can see, hear and even experience it in many ways. A person would listen to an unfortunate girl’s story on how her boyfriend tempestuously broke-up their relationship just because she would not accept his advances for sex, or how a man beats up his kids for getting low grades, and sometimes for no apparent reason. It sounds close enough to be said as dystopian, but the world we live in is not even close to utopian either. This is a world where people have a stronger tendency to commit actions based on what they feel, being driven emotionally. When passion races uncontrollably, it can bring both the best in people, and also the worst. The tendency though is that there is nothing consistent, and that the negative results of taking things too emotionally or passionately leave a more las ting effect. In the view of Stoic ethics, it is an unwise tragedy to live according to one’s passions, while making life decisions that are purely based on feelings. Stoicism warns us about the dangers and consequences of living a life without the virtues of self-control or restraint. For Stoicism, getting easily upset and distressed would do no good to one’s life. It is a waste of time and energy to sulk or fume over the predicaments or setbacks in life. It would be better, according to Stoic philosophy, that we face problems with a dignified and calm acceptance. Stumpf (1999) posited that â€Å"moral philosophy in Stoic thought rested upon a simple insight, wherein each person was viewed as an actor in a drama† (p.109). It is the director of the drama who selects people to play various roles. In the drama of the world, it is

Journal Writing and Adult Learning Essay -- Teaching Writers Authors E

Journal Writing and Adult Learning The value of journal writing to a course with adult students cannot be overemphasized. (Sommer 1989, p. 115) Journals and diaries have a long history as a means of self-expression. Several themes prevalent in adult learning--coming to voice, developing the capacity for critical reflection, and making meaning--are reflected in the way journals can be used in adult education. Journals are useful learning tools in a variety of adult education settings. Dialog journals, for example, have become popular in adult literacy and English as a second language classrooms. This digest focuses on several types of journals, exploring their value in assisting adults through their learning journey and summarizing advice from the literature on effective ways to use journals. Types of Journals One type is the reader response journal or literature log, in which learners record their responses to readings. Used on all levels from adult basic education through graduate study, such logs enable readers to enter the literature in their own voice (Perham 1992), placing themselves in relation to the text and discovering what they think about it. Over time, the log itself becomes another primary text to which they can respond (Perl 1994). Usually, entries are shared with the class, stimulating discussion. In one variation described by Perham, a looseleaf notebook accessible to the whole class becomes a collaborative journal in which learners and teacher make ongoing comments. Both Perham and Perl feel that these response journals have the power to build a community of learners though the process of critical co-reading and co-writing. The learning journal is a systematic way of documenting learning and col... ...462) Roe, M. F., and Stallman, A. C. "A Comparative Study of Dialogue and Response Journals." Presented at the American Educational Research Association conference, 1993. (ED 359 242) Schatzberg-Smith, K. "Dialogue Journal Writing and the Initial College Experience of Academically Underprepared Students." Presented at the American Educational Research Association conference, 1989. (ED 308 737) Schneider, P. The Writer as an Artist. Los Angeles: Lowell House, 1994. Sommer, R. F. Teaching Writing to Adults. San Francisco: Jossey-Bass, 1989. Surbeck, E.; Han, E. P.; and Moyer, J. "Assessing Reflective Responses in Journals." Educational Leadership 48 (March 1991): 25-27. (EJ 422 850) \ Walden, P. "Journal Writing: A Tool for Women Developing as Knowers." New Directions for Adult and Continuing Education no. 65 (Spring 1995): 13-20. (EJ 502 496)

Northern Ireland – source related study

1) Source A depicts the job problems that the Catholics faced in Ulster in the 60's. It Shows the employment figures of a variety of different companies, and then tells us how many of these employees are Protestant or Catholic. The first example of the problems faced is at the Belfast shipyard; where there were 10,000 people employed, of which only 400 were Catholic. Considering this was the biggest source of employment in the town, and wasn't exactly a cushy job, you would have expected a much larger number of people working there who were Catholic. However, this was not the case, and was the same everywhere else. In Fermanagh, the county council employed 370 people. Only 48 of these people were Catholic, and none of those people had decent or upper class jobs. This didn't change with bus drivers either. 75 bus drivers were employed in Fermanagh, and only 7 of them were Catholic. And considering that over half of Fermanagh was Catholic, this meant that there would have been a lot of Catholics left without jobs in the city. Therefore, the difficulties faced by Catholics in the 60's were that they were discriminated against by the Protestants. This only shows the job problems they had, but they did face many other daunting problems in the 60's. 2) Source B helps assess the discrimination of Catholics to a certain extent. This is because it is coming from a reliable source. Billy Sinclair used to be the manager of Linfield football club and saw the sort of discrimination he is talking about with his own eyes. The sort of discrimination he is talking about is that if a football scout for a Northern Irish club spots a good young footballer that is from a catholic school, they won't take him on as a player. This is obviously because he is a Catholic, so he wouldn't be accepted in a protestant team. However, this source only comes from one person, and could be helped by being backed up by other people who also manage football clubs, or even from football scouts themselves. Also, source C says that as many protestant people should be in work during times when job opportunities are poor. They would prefer to keep more protestant, unqualified people in work instead of Catholics who could possibly do a better job. This is clear discrimination against the cleverer Catholic people within Ulster. This is a very useful source in assessing the discrimination against Catholics, as it comes from an organisation, rather than just a single person making a statement about the discrimination against young Catholic footballers. 3) The reason that Londonderry became the centre of a civil rights movement was that the Catholics got fed up with the living conditions (as shown in source D) and the voting system in the city. As source D shows, the living conditions were absolutely diabolical. The picture shows an outdoor bath and outhouse, which was very common amongst Catholics houses. However, the Protestants would have had much nicer, indoor bathrooms and toilets, instead of being out in the cold. So that is why the Catholics were fed up with the housing. Also, the way the voting system was set up was biased towards the Protestants. The Catholics were all crammed into one voting area of Londonderry, while the Protestants were spread over two voting areas, meaning that in those two areas, there would be more Protestant votes, meaning more Protestants councillors. The three sources all agree with each other when it comes to talking about the discrimination that the Catholics faced in Ulster. They all show a factor which proves the way that the Catholics were treated. The Catholics within Ulster do get mistreated by the Protestants, even if they are only out of line slightly. The smallest crime could lead to a beating and even a jail sentence, which is how extreme the prejudice is in Ireland. Londonderry became the centre of the civil rights movement in Ireland because it was the main centre of violence in the whole of Eire and Ulster. There was an equal balance of Protestants and Catholics, but there was an un-equal balance in the society. The Protestants always treated the Catholics with prejudice, and never let go of their stronghold over the weaker community. These factors aggravated the Catholics and eventually led them to start up the civil rights movement. After the civil rights movement had started, people from all across Eire and Ulster got involved and were hoping for a united Ireland. 4) In source G, Rev. Ian Paisley said that the IRA and the people who supported it where behind the Civil Rights movement. What he effectively meant was that the Catholics were behind the civil rights movement, which is not the way that Michael Farrell thought about it in source H. He said that there were some Catholics that believed in civil rights, but it was mainly the Protestants that were in charge of the movement. Therefore, he doesn't agree with the way Paisley saw the civil rights movement. However, Source I Does agree with Paisley more than source H. It says that the membership was mostly Catholic, and that the IRA was closely involved in the civil rights movement. However, it does also say that there were Protestants involved, so it doesn't completely agree with the comments made by Paisley. 5) The picture in source J, which was drawn by a Northern Irish political cartoonist, does help portray why the trouble continued into the 90's. It shows five different groups walking around a never-ending staircase which doesn't lead anywhere. Four of the groups (Religion, Politics, Workers and Civilians) are walking up the staircase, working there way up to a better Ireland. However, the other group (the paramilitaries) is walking down the staircase, as they try to cause trouble and want to keep Eire and Ulster separate. They like to stir up the trouble between the Protestants and Catholics and cause riots. The peace process was being lead by Religion, which is why they are at the front of the staircase in the picture. Then the politics follow the Religion as they wanted the fighting and riots to end as it would mean they would get more votes. Then the workers followed the politics as they were drawn in by the things that the governments promised they would do. And the civilians follow the workers as they are mainly their husbands that are working, and the civilians are mainly women and their children. Also, on the side of the wall it has graffiti that says â€Å"REM 1960 ULSTER† which is referring to the Battle of the Boyne. This was obviously when William of Orange and his protestant followers invaded Ireland and took over what is now known as Ulster. This is to remind people that the rift between the Protestants and Catholics still exists because of this event. Another bit of graffiti says â€Å"1916† which refers to the Easter rising on April 24th. There was also the Good Friday agreement of 1998. Sinn Fein was reluctant to sign the document, but in the end gave in. There was an uprising, however, after the document had been signed. This was because it meant that paramilitary prisoners were released. This caused unrest between the two parties, and caused more riots.

Memorizing Lines - Memorization Tips

From time to time you will be required to memorize lines for a play, a speech, or a skit of some kind. For some students this will come easily, but others may experience anxiety at the thought of memorizing lines. The first task is to separate out any anxiety about speaking in front of others and deal with that apart from the actual memorization process. Realize that memorizing is one source of concern, and speaking to a group is another. Focus on one issue at a time. Just knowing this will ease some of your worry and give you more of a sense of control. We worry about things when they feel out of our control. Memorizing Lines The best single advice for memorizing anything is to study in a way that appeals to as many senses as you can. By seeing, hearing, feeling, and even smelling your material, you reinforce it in your brain. There are several ways to reinforce information through your senses. Your best bet is to combine three of these techniques. Youll find that some techniques are appropriate for your specific assignment and others are not. Memorizing With Sight Visual prompts act as a great tool for reinforcing information and committing them to memory. Use flash cards. Put all your prompts on one side and your lines on the other.Draw a series of pictures that represent your speech or your lines. Remember picture stories from preschool? Be very creative and think of a picture story to go along with your lines. After youve created your picture story, go back and say your lines as you look at the pictures.Say your lines in front of a mirror and move your face or your arms a special way to emphasize specific words or passages.If your lines come in the form of a script, cover over other actors lines with strips of sticky note. This makes your own lines stand out on the page. Read them over several times.Visualize other actors faces saying your cues and follow with your own lines that follow the cues.Use your smart phone to video yourself saying your lines and watch it. Then repeat if necessary. Memorizing With Feeling Feelings can be internal (emotional) or external (tactile). Either type of experience will reinforce your information. Write out your lines. The act of writing the words provides very strong reinforcement.Carry your script or speech with you at all times and read the full text when you get a chance to get a strong emotional feel for it.Get to know your character. Understand why you say and do what you do.Act out your lines as you say them, even if this is an unemotional speech. You can so this in front of a mirror and  exaggerate your words with dramatic gestures. Of course, you dont want to do this during your actual speech, but you will be thinking about it.Try memorizing backward, from end to start. This separates the emotion from the words. Then read the text from start to finish, with feeling. This technique reinforces the emotional aspect.Learn to think like your character (get a feel for him or her). This can save you if you forget your lines on stage. Simply think like the character and say what he would say as close to the real lines as possible. Memorizing With Sound Sound is a very effective tool for memorization. There are a few different ways to incorporate sound into your memorization skills. Read the script and record the lines of the other performers and leave the microphone off as you read your own lines. This leaves blank air space for your lines. Go back and practice saying your own lines at the appropriate times.Record your lines with exaggerated vocal expressions. You may even want to yell your words. Exaggerations leave big imprints in your brain.Record the entire play or performance during a rehearsal.Carry your recorder with you and listen to it as often as you can.